Over four years after first putting pen to paper — and after a pretty brutal editing session, during which I painfully extracted some key sections from my obnoxiously long first draft — I’ve finally received a final e-print of “Click/Scan/Bold: The New Materiality of Architectural Discourse and Its Counter-Publics,” which will be published in the forthcoming issue of Design and Culture. I had a great experience working with the journal staff, and I found the peer-review process to be fairly efficient and constructive, which is certainly not always the case.
I typically post pdfs of my publications here, but I’ve discovered that, according to the RoMEO database of “publishers’ policies regarding the self- archiving of journal articles on the web and in Open Access repositories,” Berg, Design and Culture‘s publisher, does not “formally” support archiving of D&C articles. Drat. In lieu of posting the entire article, which I hope to do eventually, I offer my abstract (which, now, months removed from its submission, seems a wee bit underwhelming; I’ve discovered that I need at least a year away from any writing project before I can fully grasp what I’ve done — and before I can write an abstract that does some justice to the piece):
The past five years have brought several exhibitions, conferences, and other events that examine the past, present, and future of architectural periodicals. Incited in large part by the transformations wrought by new digital and social media in both architecture and publishing, these events reflect a desire among their participants to shape the materiality of architectural discourse – and even to frame the creation of discursive space as a form of architectural design itself. It is often hoped that the creation of new forms of “little” or “subversive” publications will result in the production not only of a designed object or process, but also of new discursive (counter)publics.